sails like a boat
on my dark blue
Just a few centimeters away
from the edge of the world.
We are not angels;
it was known...
Our wings won’t grow
-was there any other suspicion?
Have we lately become
so superstitious as
with the Demon?
Since fall is flying,
the change of times
to clear our vision.
I often confess to the district tax collector
to the court representatives
who look in vain for my name in their lists
To the gilded vestments of the bishops I confess
To the open windows recently barred
To the neighborhood butcher
To the policeman patrolling alone at nights
To the bailiff with scores of summonses
that he releases to the wind like kites
To the court martial I confess and their harsh punishment
Tôt ou tard s'en aller
Plus rien à trimballer
Partir après demain
Prendre un des deux chemins
Lumineux ou obscur
Retenir les piqûres
S'adresser au soleil
Celui-là qui s'éveille
Ah, toi qui es si froid
J'accuse ton cœur droit
De m'avoir laissée seule
Pour me casser la gueule.
Tôt ou tard s'en aller
Plus rien à trimballer
Plus rien à endosser
Plus de cœur cabossé
Marcher le long des rails
Caresser la ferraille
Gribouiller sur les murs
There is an ideal alliance between writer and transgressor (translator?): the Works of Marquis de Sade, James Joyce, D. H. Lawrence, Jean Genet, Sadegh Hedayat, and Henry Miller were (are) thus banned and censored and suppressed. Crime: they have not followed the stereotypes of language and have embarked on forbidden paths.
When we are young,
When we are girls,
We climb trees, play hide and seek,
We don’t have balls, but we have dolls
It’s not a problem if we’re girls or boys
As long as we share the toys.
When we grow up
We get the balls, lose the dolls,
Release the braids and ponytails
and wait for a suitable wind.
And then we get a bit older.
We become a mother or a woman,
or if we are lucky, both.
When we grow old,
we look more like a father.
Our breasts flatten and rest,
we get a quite, unwanted moustache,
-Au-delà du charme esthétique de ce bâtiment, sa profondeur spirituelle a un effet hypnotisant. Tu n’es qu’une touriste qui se réjouit de la beauté. Mais, si tu tentes de poser un regard plus approfondi sur chaque détail de ce temple, tu plongeras dans l’abîme du sacré qui ouvre la porte à une nouvelle possibilité de soi. Chaque bouddhiste rêve d’atteindre
On the ground floor, the Syrian woman is already cooking soup using spices from her homeland, her front door ajar. On the landing, outside, there are her children’s tricycles and second-hand toys in a cardboard-box, bearing the name of a detergent brand, evoking the whiff of baby skin and dirty nappies. She can hear the mother’s voice joining those of her children;
The elegance of stone on a rock
The liturgy of eternity.
Stone guest, not a cross, but rook.
The road was trembling, the rains washed away the ridges
As a rainbow on hands the tears was dropping.
I was living while losing faith.
The sun, a yellow spot, was floating,
Among the clouds, among the dots and the dashes of a sheet,
Apostrophes, the softness of my tongue,
Our hearts felt heavy; very heavy. No future seemed to await us. Injections had already been prepared for us and placed on a white board, in case we wanted to put ourselves down for a long eternal sleep. The door was left unsecured. A heavy triple glass door that led to the deadly engine. A tall man opened the door and went inside the hallway towards the engine room.
Justly laughs at Iraq.
Justly laughs at lads struggling with a drunken policeman:
His forged badges in his coat and his hands are fettered to a coined Dirhems of gasp and sever cold.
What shining badges on his miserable chest!
What a feathery hat; punctured while it avoids the thunderbolt with an amputated head!
What badges of bravery hanging over like the keys of a banker,
They never admitted that when they headed out to get water in the morning, her voice greeted them at least a block before they reached the springs—it weaved around the buildings, wrapped itself around the trees, permeated into their clothes, their skin, and got all the way through to their hearts, which filled with longing and could no longer fit inside their bodies.
you’re a sick hahahaah
she’s definitely sick look at her
a sick little bitch
she needs treatment
hahahaha she wants to get a spider
she sits at home thinking we’ll go away
hahahahah she’s blasting that music
hahahahaha a sick little bitch
the whole street knows she’s sick
we’ve known her since childhood she’s stupid
look the sicko is coming
look she’s coming
a couple of sun rays to what is already clear
how fares your palestine? when will it let you go?
how fares your heart amidst the strange and the alien?
i’m muddling up words. languages. in the evenings
i read that Lord’s love’s parceled out by abraham’s children
out rolls the spring on a camel laden with gifts
green turns the cover and contents of your koran –
sort of a book devised by
Là où sont engendrées les guerres, là où poussent les herbes du désespoir
Puis le ciel a déchiré ses vêtements, un à un
Ses joues griffées par les ongles de la peur.
Avant de rencontrer les foulards de tes poèmes
Déployés sur les bateaux d’Odessa et sur les navires tristes,
Je disais :
« Seuls les grands poètes écrivent de la poésie sincère »
Poems come in different kinds.
They may be tall – or not really. Women – or not really.
Poems grow too but they do not need watered, they are not trees and you are not water.
For a poem to grow he or she needs to be rocked.
You may encounter a poem missing a leg or an arm, but there’s no need to be sad – they can regrow them like lizards who lose their tails and find them again.
Paris ! La capitale de la culture: Beaubourg, le Louvre, l'Opéra, la Sorbonne (où Merab Mamardashvili lui-même a donné des conférences !), le Quartier Latin, Montmartre... Une larme chaude coule sur la joue du jeune Djigit. C'est à cette tradition que lui et son peuple appartiennent, et non à la steppe sauvage d'Asie. C'est sa patrie spirituelle ! Ensuite, s'il s'envole pour Londres, Berlin
Yet distances are bridges
that cannot separate us,
for we gathered the light
in the well of our eyes,
we visited night’s broken branches.
I want you to know
that you are never alone
and that in every empty inch
there is a crowd moving
and each smile comes
-please remember it-
from the secret fountain of goodness.
Know that we’ll have to ask
Moisten your breath with her crossed questions
until the moon has fallen down.
And once the moon has fallen down,
close your eyes.
Find a space beside her
This desire, as this life,
does not bear all this clarity.
She, with her octopod vagina,
swallowed swarms of my day
to teach me
how life could be my concern,
like poetry and
Let me imagine you will grow back
into tiny feet and perky giggle, tasting
sand from the back of your hand while
I watch asphalt burst with heat, the husk
of August cracking with the burden of
the cerulean blue, juicy half peaches
on the napkin next to me, trying to hold
on to the faint glow of the late afternoon
before you are one step closer to radiant
cheekbones, velvet lipstick, a knot of
I owe everything to you.
Clay the unsafe
scaffolding of divine guilt,
the shadow of those who shaped
with a sense
Before I could say “save me” from you
I was born. Inside your soft belly
throbbed the strange substance
creating, O God of excess,
the fear of the future
existence that I owed.
longing for the startled
All in all, Borbély’s works are characterised by meaningful enjambments, fragmented poetic form and intense musicality. A painful life event also affected Borbély’s literary thoughts. On the night before Christmas Eve of 2000, his parents were brutally attacked in a burglary-murder: the poet’s mother was bludgeoned to death as she was sleeping; his father suffered serious injuries. After his mother
Lost in the clouds, I seek refuge in the soil;
Who waters it with my salty spittle
And with the sweat of the clouds?
Who guards the kisses amassed on its hillside.
and drags those destinies with his ropes?
Who converses with the thief,
and shakes the clouds with the voice of an uncertain god?
Who finds tranquility in the shape of your sunken breast?
Who settles in his land for a time
I know this place is
he rhymed like this
we could have laughed but the long black bending legs
kept taking me drugged and unawares
to the jungle of sensation
misword him standing at the station:
but he never tied the speed freak to the tracks
trying to crack this pulsing chest and let out the wings
I cannot breathe
with this internal
everything possible becomes graspable
light stained griffins
The next day I drive to the other end of the island - Handia. I stop briefly in Antigua and light a candle in its white church. A thanksgiving candle for my transformation brought by the island. I walk on the vast beaches, letting the mystique of the landscape fertilise all my senses. This is the novel I will write. A novel about a woman who arrives on the island in love with a man, and leaves the man in love with the island.
J’avais découvert dans ses bras l’harmonie sexuelle qui manquait à ma longue relation qui venait de se terminer. Oui, l’harmonie sexuelle, cette condition indispensable à toute union réussie entre homme et femme. Je jouissais d’un sentiment de sécurité avec mon ex-copain qui était parvenu à me satisfaire au niveau affectif et intellectuel
I ask them about a movie,
and they tell me their own history.
Save me here, under the bridge,
where the concrete is burdened by waves,
and to shine I look into the lamp’s eyes.
Leave me, leave me under the bridge,
if I shivered, I’d bathe in the light,
from the concrete, I’d learn the brine.
I was right before,
it’s terrible to admit, to recognize
the monster’s color in the rapture (and conversely);
not a big deal, really, scant for a poem,
Historian and journalist Mark Blaisse travelled extensively through the country to find answers to this question. He spent the night with princes in a desert camp, inspected the road to Mecca, picked dates, visited a soccer match and art galleries filled with forbidden work and marveled at the adequate flirting in shopping malls. He discovered a paradoxical
The boys are back in the pub and make orders with their last pennies,
They've shrunk in numbers, there are only a few of them now
deprived of a guarantee for eternity-
to leave this life untimely with the aplomb
of the Great- an ineptly induced death:
and they are angry at their own never touched wine- they are alive,
the fraternity of the still living poets,
of the ones cursed to die from love,
with arteries calcified by meds,
Words were not
Signifier of loss
For T. S. Eliot,
Where the beginning is the end
—In my beginning is my end,
Traces of old fires,
The perpetual star of hope
In the long journey of the Magi
For a Birth like Death,
Omar Khayyam’s history of the Soul
Which you read as a young man
—In my end is my beginning.
Each step is bound to incompleteness
Without a word:
Like he just walked out of the video shop,
there stands the statue of archangel Michael
in one of history’s shaded courtyards.
In the city to take a break,
he’s renting out all the films.
Paying no heed to the plinth, he promises
cool, darkened rooms and, through the cracks of the blinds,
a lot of sex.
Well, all right.
His renaissance rendering contends beautifully
with porn fantasies,